But far from being mere copyists, an attitude of innovation and experimentation are at the fore of Savages’ music.
“We wanted to focus on writing lyrics for the stage, writing for the performance and we didn’t speak about musical influence or anything like that – we kind of just started playing together,” says guitarist Gemma Thompson.
“We just started working on an idea behind a word or drum rhythm and just worked on how we played our instruments - not what to sound like, but to try and focus on how to get a certain sound out and to play with an intent rather than technical ability,” she says.
“There is so much more to explore in that sound and we like to perform it in a really physical, emotional, violent way.
“I think there’s a lot more that you can explore in that rather than just pure entertainment,” she adds.
The group’s first show was supporting British Sea Power in January 2012, and from the beginning all of the songs were put together with an emphasis on live performance.
“We decided to really focus on the performance aspect,” says Gemma. “The idea was that the songs weren’t finished until they were actually played live.
“The energy on the stage would complete the song, so that’s what we concentrated on. They would grow as a live thing.”
With such an emphasis on the live performance, the group were in a quandary as to how to translate their energetic sound to record.
The group decided to record their debut EP I Am Here live during their first UK tour.
“The idea was to get the live energy recorded,” says Gemma. “From them we worked out how we could do that in the studio by thinking how each musician could capture that energy as they were recording.”
The debut album Silence Yourself was released in May, and has seen the band receive a nomination for the coveted Mercury Music Prize.
“I’m pleased that a band like us has been nominated because up to the end of the first album we did everything ourselves,” says Gemma.
This article was published by Yorkshire Evening Post on November 7, 2013.